DJ Akademiks had the last laugh after leaking Kendrick Lamar’s supposed Super Bowl setlist.
- Critics were skeptical, but the leak closely matched the actual performance setlist.
- The media personality couldn’t resist boasting to his peers about his successful scoop.
- Akademiks revealed an insider source from the performance venue gave him the information.
- His bold claims against the NFL and the rap industry have sparked further conversations.
When DJ Akademiks leaked a supposed Kendrick Lamar setlist, many in the hip-hop community laughed him off. However, as it turns out, his leak was nearly spot-on with the actual Super Bowl halftime performance. Akademiks proved his doubters wrong, showing his credibility as a source of inside information.
Following the accurate leak, Akademiks didn’t hold back his gloat. He took to Instagram Live to express his triumph and to call out fellow journalists he felt had undermined his reporting. By sharing his success so publicly, he has sparked even more discussion online.
According to Akademiks, the information came from a source working at the venue, aligning him with a network of insiders some journalists might envy. He boldly stated, ‘You n***as don’t leak s**t, y’all n***as suck d**k,’ highlighting his confidence in his sources.
Interestingly, Akademiks noted that the NFL contacted him with lawsuit threats, a detail that added more drama to the situation. Despite this, he remains unfazed, asserting his commitment to continue sharing what he deems as crucial scoops for life.
The setlist included many fans’ favorites, featuring a strong presence of tracks from Kendrick’s GNX album and other hits from DAMN., alongside collaborations like ‘All The Stars’ with SZA. It even included part of the diss track ‘Euphoria’ aimed at Drake, showcasing the performance’s unexpected angles.
The saga doesn’t end here; Akademiks also hinted at a potential clash involving Drake wanting a fight with Kendrick. This comment adds another layer to the story, stirring curiosity about future revelations.
Akademiks’ victory lap not only vindicates his reporting but also reignites discussions within music journalism.
